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From Chapter 4: It is somewhat singular that the Puritans, who denounced most amusements and pleasures, and who frowned upon most of the occupations or diversions that make for gaiety and the enjoyment of life, did not, as Puritans, denounce the use of tobacco. One or two of their writers abused it roundly; but these were not representative of Puritan feeling on the subject. The explanation doubtless is that the practice of smoking was so very general and so much a matter of course among men of all ranks and of all opinions, that the mouths of Puritans were closed, so to speak, by their own pipes. A precisian, however, could take his tobacco with a difference. The seventeenth-century diarist, Abraham de la Pryme, says that he had heard of a Presbyterian minister who was so precise that "he would not as much as take a pipe of tobacco before that he had first sayed grace over it." George Wither, one of the most noteworthy of the poets who took the side of the Parliament, was confined in Newgate after the Restoration, and found comfort in his pipe.
From Chapter 7: The most famous of country clergymen of the early Georgian period is, of course, Fielding's lovable and immortal Parson Adams. Throughout "Joseph Andrews" the parson smokes at every opportunity. At his first appearance on the scene, in the inn kitchen, he calls for a pipe of tobacco before taking his place at the fireside. The next morning, when he fails to obtain a desired loan from the landlord, Adams, extremely dejected at his disappointment, immediately applies to his pipe, "his constant friend and comfort in his affliction," and leans over the rails of the gallery overlooking the inn-yard, devoting himself to meditation, "assisted by the inspiring fumes of tobacco." Later on, in the parlour of the country Justice of the Peace, who condemned his prisoners before he had taken the depositions of the witnesses against them, and who, by the way, also lit his pipe while his clerk performed this necessary duty, Adams, when his character has been cleared, sits down with the company and takes a cheerful glass and applies himself vigorously to smoking. A few hours later, when the parson, Fanny, and their guide are driven by a storm of rain to take shelter in a wayside ale-house, Adams "immediately procured himself a good fire, a toast and ale, and a pipe, and began to smoke with great content, utterly forgetting everything that had happened." In the same inn, after Mrs. Slipslop has appeared and disappeared, Adams smokes three pipes and takes "a comfortable nap in a great chair," so leaving the lovers, Joseph and Fanny, to enjoy a delightful time together.
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Cigarette and Tobacco Information:
From Chapter 3: One of the most curious of the early publications on tobacco, in which an attempt is made to hold the balance fairly between the legitimate use and the "licentious" abuse of the herb, is Tobias Venner's tract with the long-winded title: "A Brief and Accurate Treatise concerning The taking of the Fume of tobacco, Which very many, in these dayes doe too licenciously use. In which the immoderate, irregular, and unseasonable use thereof is reprehended, and the true nature and best manner of using it, perspicuously demonstrated." Venner described himself as a doctor of physic in Bath, and his tract was published in London in 1637. Venner says that tobacco is of "ineffable force" for the rapid healing of wounds, cuts, sores and so on, by external application, but thinks little of its use for any other purpose. Like others of his school, he attacks the "licentious Tobacconists [ smokers] who spend and consume, not only their time, but also their health, wealth, and witts in taking of this loathsome and unsavorie fume." He admits the popularity of the herb, but expresses his own personal objection to the "detestable savour or smack that it leaveth behind upon the taking of it"; from which one is inclined to surmise that the doctor's first pipe was not an entire success. With an evident desire to be fair, Venner, notwithstanding his dislike of the "savour," refuses to condemn tobacco utterly, because of what he considers its valuable medicinal qualities, and he goes so far as to give "10 precepts in the use of" tobacco. The sixth is "that you drink not between the taking of the fumes, as our idle and smoakie Tobacconists are wont"—there must be no alliance, in short, between the pipe and the cheerful glass. The tenth and last precept is "that you goe not abroad into the aire presently [immediately] upon the taking of the fume, but rather refrain therefrom the space of halfe an houre, or more, especially if the season be cold, or moist." The suggestion that the smoker, when he has finished his pipe, shall wait for half an hour or so before he ventures into the outer air is very quaint.
From Chapter 6: John Philips, the author of "Cyder" and the "Splendid Shilling," was an undergraduate at Christ Church, during Aldrich's term of office, and no doubt learned to smoke in an atmosphere so favourable to tobacco. In his "Splendid Shilling," which dates from about 1700, Philips says of the happy man with a shilling in his pocket: Meanwhile, he smokes, and laughs at merry tale, Or Pun ambiguous or Conundrum quaint. But the poor shillingless wretch can only doze at home In garret vile, and with a warming puff Regale chill'd fingers; or from tube as black As winter-chimney, or well-polish'd jet, Exhale Mundungus, ill-perfuming scent. >The miserable creature, though without a shilling, yet possessed a well-coloured "clay." It is significant that the writer of a life of Philips, which was prefixed to an edition of his poems which was published in 1762, after mentioning that smoking was common at Oxford in the days of Aldrich, says apologetically, "It is no wonder therefore that he [Philips] fell in with the general taste ... he has descended to sing its praises in more than one place." By 1762, as we shall see, smoking was quite unfashionable, and consequently it was necessary to explain how it was that a poet could "descend" so low as to sing the praises of tobacco.
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Tobacco History:
Cigarettes and Literature
From Chapter 1: The form and make of the first pipe is a matter I do not propose to go into here; but in connexion with the first pipe smoked in this country Aubrey's interesting statements must be given. Writing in the time of Charles II, he said that he had heard his grandfather say that at first one pipe was handed from man to man round about the table. "They had first silver pipes; the ordinary sort made use of a walnut shell and a straw"—surely a very unsatisfactory pipe. Tobacco in those earliest days, he says, was sold for its weight in silver. "I have heard some of our old yeomen neighbours say that when they went to Malmesbury or Chippenham Market, they culled out their biggest shillings to lay in the scales against the tobacco."
From Chapter 6: Thackeray pictures Dryden as sitting in his great chair at Will's Coffee-house, Russell Street, Covent Garden, tobacco-pipe in hand; but there is no evidence that Dryden smoked. The snuff-box was his symbol of authority. Budding wits thought themselves highly distinguished if they could obtain the honour of being allowed to take a pinch from it. Of Dr. Aldrich, who was Dean of Christ Church, Oxford, and who wrote a curious "Catch not more difficult to sing than diverting to hear, to be sung by four men smoaking their pipes," an anecdote has often been related, which illustrates his devotion to the weed. A bet was made by one undergraduate and taken by another, that at whatever time, however early, the Dean might be visited in his own den, he would be found smoking. As soon as the bet had been made the Dean was visited. The pair explained the reason for their call, when Aldrich, who must have been a good-tempered man, said, "Your friend has lost: I am not smoking, only filling my pipe."
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